Propped over her breakfast at a West Hollywood cafe one morning in late October, Amy Adams was contemplating her dream role. The actress had just dropped her 6-year-old daughter off at school after returning from traveling to promote her two new films, the science-fiction drama "Arrival" and psychological thriller "Nocturnal Animals." Her mother and husband at a nearby table, Adams was preparing for extended family to arrive in town momentarily. "I need to play somebody who just goes around and gets spa treatments," Adams said, wistfully. "I would have to do a lot of spa treatments, just for research. Adams has certainly earned some downtime after turning in her two new complex lead performances. In Denis Villeneuve's "Arrival," which opens Nov. 11, she plays a linguist haunted by an unexplained melancholy who must learn to communicate with aliens in order to prevent a global war. In Tom Ford's "Nocturnal Animals," which opens a week later, she plays an aloof art gallerist obsessed with her ex-husband's novel. At 42, the five-time Oscar nominee's career has been characterized by a mix of supporting roles, from a naive nun in "Doubt" to the wife of a cult leader in "The Master" to journalist/love interest Lois Lane in the latest round of Superman movies. As "Arrival's" Louise Banks, she reluctantly leads a team of investigators including a scientist played by Jeremy Renner. Much of the film's 10-week shoot took place on a bare soundstage in Montreal, with puppeteers behind a lighted screen serving as the aliens. For the entire production, Adams said, she had a stomachache, a side effect of internalizing Louise's anxiety. "She's not heroic in the traditional sense," Adams said of the character. "I love that she gets to rely on her intellect and instinct as opposed to brawn and bravery." Adams said she prepared for the role by studying linguistics and working with her acting coach on the film's psychological underpinnings, but she is ill-equipped to answer the deep questions the movie raises about science and the nature of time. "It's funny when people start challenging me about it," Adams said, of the movie's internal logic. "If I were able to explain how the science of this film works, I would not be an actress." In "Nocturnal Animals," Adams plays a woman who is equally unmoored, although the milieu -- the Los Angeles fine-art scene -- is far more familiar. Adams' husband is artist Darren Le Gallo, and though his work resides more in the underground art scene than the rarified one depicted in the film, she found some uncomfortable parts of the character to latch onto. "I have definitely been invited into that world at times, the wealth and privilege of a very specific part of the Los Angeles art scene," Adams said. "I found myself really judgmental of this character.

Can a sci-fi-themed, classic rock musical stand measure to measure with Shakespeare? "Return to the Forbidden Planet" at the Rubicon Theatre in Ventura seeks to boldly go where no outer space retelling of "The Tempest" has gone before, and it even has the rhyming pentameter to prove it. Blasting off to the spirited live band's pulsating, guitar-twangy strains of "Wipe Out," this zero-gravitas parody is a rockin' homage to the extraterrestrial tropes embodied in the 1956 classic movie "Forbidden Planet." After a meteor storm diverts a rocket ship to planet D'Illyria, the crew encounters the exiled mad scientist Prospero (James O'Neil), whose mind-over-matter formula unleashes a green-tentacled monster from his own id. Quickly making up for the absence of men in her life by turning the heads of the entire crew with her entrance to "Good Vibrations," Miranda and her suitors (Harley Jay and Caleb Horst) tunefully explore their emotional roller coasters in "A Teenager in Love," "Young Girl," "She's Not There," "Tell Her" and other hits.